2011年第4期
18 環(huán)球影事 專(zhuān)題 最后之后—紐約現(xiàn)代美術(shù)館“新攝影”脈絡(luò) 紐約現(xiàn)代美術(shù)館（MoMA） 每年以“新攝影”（New Photography）展覽向公眾展示其所理解的攝影之“新”。從1985年舉辦至今，“新攝影”已經(jīng)成為攝影與當(dāng)代藝術(shù)相互介入的重要平臺(tái)，也成為當(dāng)代攝影的一個(gè)風(fēng)向標(biāo)，入選該展覽的不少藝術(shù)家至今仍對(duì)當(dāng)代攝影發(fā)揮著深刻的影響。 28 最后之后—紐約現(xiàn)代美術(shù)館“新攝影”脈絡(luò) 文／黃亞紀(jì) 31 攝影在后挪用時(shí)代—“新攝影”2010年策展人羅克珊娜·馬可希訪談 采訪／黃亞紀(jì)、李波 譯文／黃一凱 35 作為視覺(jué)賦格的攝影—羅·埃斯里奇訪談 采訪、譯文／黃亞紀(jì) 42 影像與情緒的再詮釋—亞歷克斯·普拉格訪談 采訪／黃亞紀(jì) 譯文／穆游 50 影像、藝術(shù)及社會(huì)中的抽象—威里德·貝西蒂自述 文／威里德·貝西蒂 譯文／黃一凱 57 再現(xiàn)歷史與社會(huì)的神秘拼圖—薩拉·范德比克訪談 采訪、譯文／黃亞紀(jì) 62 MoMA與攝影 文／施瀚濤 海外 69 一個(gè)時(shí)代的結(jié)束：最后一卷柯達(dá)克羅姆（1935—2010） 編譯／鄭濃 71 不平凡的膠卷—斯蒂文·麥凱瑞訪談 73 我工作的重中之重，是紀(jì)實(shí)攝影—斯蒂文·麥凱瑞訪談 南腔·北調(diào) 86 攝影的心?。禾与x與追逐 文／李楠 88 攝影學(xué)問(wèn)了 文／晉永權(quán) 西窗書(shū)評(píng) 90 東方是一種謀生之道—讀《菲利斯·畢托：東方之路上的攝影師》 文／南無(wú)哀 商業(yè)攝影 96 功夫在詩(shī)外—周裕隆訪談 攝影并文／周裕隆 影廊 104 空蒙 攝影／張倫 文／尤文虎 108 大樹(shù)底下 攝影／ 肖日保 文／黃雅 114 游“戲”攝影／徐國(guó)峰 康愷 文／莫阿 118 業(yè)界前沿 技術(shù)檔案 122 浩如煙海 囊中取物—數(shù)字影像的分類(lèi)與存儲(chǔ) 文／劉寶杰 吳頁(yè)舟 陳曦 130 風(fēng)光攝影十條秘訣—李建惠談拍攝技法 攝影并文／李建惠 特別關(guān)注 138 邁向?qū)I(yè)—70-300mm鏡頭發(fā)展之路 文／邢瑜 攝影／崔堅(jiān) 耿偉 郭建軍 陳曉紅 郭小天 器材大觀 150 像素8000萬(wàn) 文／崔堅(jiān) 154 讓相機(jī)看得更清晰—數(shù)碼相機(jī)調(diào)焦檢測(cè)與微調(diào) 攝影并文／王濤 商家探訪 158 參觀佳能相機(jī)誕生地—大分工廠 文／本刊記者 160 影像精彩，“多功能”更得寵—戶外攝影與戈?duì)柼厮筎M面料 交流 162 再續(xù)警察故事—2010年第四屆“尼康杯”全國(guó)公安民警攝影大展側(cè)記 文／李樂(lè) 168 光影藝苑 18 GLOBAL REPORT OF PHOTOGRAPHY FEATURE: LAST OF THE LAST—THE PROGRESSION OF MOMA NEW PHOTOGRAPHY 28 Last of the Last—The Progression of MoMA New Photography Text by Huang Yaji 31 Photography in Post-Appropriative EravInterview with Roxana Marcoci, 35 Photography as Visual Fugues—Interview with Roe Ethridge 42 Reinterpretation of Images and Emotion—Interview with Alex Prager 50 Abstraction in Image, Art and Civilization 57 Mystical Assemblage Representing History and Society 62 MoMA and Photography Text by Shi Hantao FROM ABROAD 69 The End of an Era : 1935 to 2010—the Vision behind the Last Roll of Kodachrome 71 Kodachrome is a Real Extraordinary Film —An Interview with Steve McCurry 73 The Most Important Part of My Work is Documentary Photography OPINION 86 No Answer about Getting Redemption through Photography 88 Photography Becomes Something So Academic BOOKREVIEW 90 The East Was a Career, Book Review: Felice Beato: COMMERCIAL PHOTOGRAPHY 96 A Chinese Bestiary—An Interview with Zhou Yulong GALLERY 104 Misty Landscape Photos by Zhang Lun Text by You Wenhu 108 Under Leizhou's Big Trees Photos by Xiao Ribao Text by Huang Ya 114 Legacy and Fictien Photos by Xu Guofeng, Kang Kai Text by MoA 118 FIRST LOOK TECHNICAL FILE 122 Classification and Storage of Digital Images 130 Ten Tips for Landscape Photography Photos & Text by Li Jianhui SPECIAL 138 Review of 70-300mm Lenses EQUIPMENT 150 Leaf & Phase One’s 80 Megapixels Digital Backs Text by Cui Jian 154 Micro Focus Adjustment of Digital Camera 158 INTERVIEW 162 COMMUNICATION 168 READERS’ CLUB 
curator of MoMA New Photography 2010
Interview by Huang Yaji & Li Bo Trans. By Huang Yikai
Interview & Trans. by Huang Yaji
Interview by Huang Yaji Trans. by Mu You
Text by Walead Beshty Trans. by Huang Yikai
—Interview with Sara VanDerBeek
Interview & Trans. by Huang Yaji
Text by Zheng Nong
Interview by Chen Shih Yuan
—An Interview with Steve McCurry
Interview by Chen Shih Yuan
Text by Li Nan
Text by Jin Yongquan
A Photographer on the Eastern Road
Text by Namo Ai
Photos & Text by Zhou Yulong
Text by Liu Baojie, Wu Yezhou, Chen Xi
Text by Xing Yu Photos by Cui Jian, Geng Wei,
Guo Jianjun,Chen Xiaohong, Guo Xiaotian
Photos & Text by Wang Tao